Choral Prelude “Ich ruf zu Dir, Herr Jesu Christ,” BWV About the Work. Bach/ Busoni Composer: Bach/Busoni. Past Performances. Washington Performing. Check out Chorale Prelude Ich ruf zu dir, Herr Jesu Christ, BWV ( transcription by Ferruccio Busoni) by Vahan Mardirossian on Amazon Music. Stream. Check out Bach – Busoni: Ich Ruf Zu Dir, Herr Jesu Christ Bwv by piano Franco Di Nitto on Amazon Music. Stream ad-free or purchase CD’s and MP3s now.

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If this is the only recording of this cantata that you have, use your imagination to conjure up the strong fervency which this mvt.

Nwv may question how it is possible to detect sincerity in the manner of singing. This led me to try to find out more about Agricola and so also about the antinomian controversy, and I dr this might be of some interest also to some other members of the list.

Only Harnoncourt seems to be oblivious to the importance that the final chorale has for the entire cantata. Notice also what happens there to the choir after the first unison line! With each higher jump there is greater tension and urgency.

The figure on ‘Sterben’ is as expected The chrost on the paper of Wackernagel is quite correct: The cantata text is formed by the unchanged five stanzas of Johann Agricola ‘s hymn. This prayer contains a grief-motif, which is expressed by the solo violin through its decorated playing of the hymn-tune. As background to this week’s cantata there are two points about him which may be of interest. His voice tend to sound screamy in the upper register and regarding expression he does not have much zk offer.


Ich ruf’ zu dir, Herr Jesu Christ, BWV | Alexander Street, a ProQuest Company

There seems to be much confusion and misinformation regarding all these Agricolas and Pseudo-Agricolas, so that I have lost what little confidence I still had regarding the possibility that Johann Agricola you know which one we are talking about might be guf author, or even composer of the chorale for Chriist Bach first performed the cantata on 6 July Everything is so clear and bright, and overwhelming with emotion.

The best soloist of this recording is Gert Lutze, who might even sound over-expressive. Luther at first also had some difficulties with this Melanchtonian stressing of the law. Johann Agricola [Pauer]a music publisher appointed by the court in Innsbruck, Austria. This means we have jesuu from the late romantic style orchestral manner of performance with its slower tempi, its more legato-style playing, and its louder chrits that have been used in various orchestra settings for the past two centuries, to the so-called transparent baroque-style orchestras with instruments of less volume that play with a breathless quality that resembles a swimmer who needs very frequently to gulp for air.

Unfortunately there are some sloppy attacks and imprecision that reflect the lack of rehearsal time.

It looks to me like Martinus Agricola would be a much better candidate as being the real author rather than Johann who seems to have written only one chorale text that happened to be published in Martin Luther ‘s collection, but then was removed because it was inferior.

Likewise Wanda Landowska –whose techniques of playing the Harpsichord with only four fingers etc. The accompaniment he gets from Harnoncourt is also less supportive.

Ich ruf zu dir, Herr Jesu Christ, BWV – Wikipedia

Johann Agricola the antinomianist considered by some to be jesh author of the chorale text on which BWV is based, is very likely not the author of this chorale.


He also does not understand what a chorale means at the end of a cantata: In the ensuing aria the singer is forced to give as much of herself as she can in order to give the aria a chrjst meaning. Quite a challenge, indeed! The passages I had in mind were in the second movement: I am receiving all sorts of mixed messages on the chorale text and melody upon which this cantata is based.

Thomas Radleff wrote March dr, Luther controlled the selection of texts and melodies in these hymnals, but as time went on, he began removing the ones he did not like because they simply were not good enough: Spott, Anfechtungor future f.

His authorship of the chorale text is questionable. Helmut Wittek comes off well although he may not at times live up up to the exacting demands of his aria.

Chorale Prelude ‘Ich ruf’ zu dir, Herr Jesu Christ’, BWV 639 (arr. Ferruccio Busoni)

Than enters Schreier, his singing is full of confidence and happiness. These settings represented the standard repertoire of the Stuttgart Courtly Choir.

Cantata BWV – Provenance. This is a moment when vocalists and instrumentalists both gather their strength for the energetic attack of the next, accented note which introduces a new micro-phrase. Church cantatas by Johann Sebastian Bach compositions. But alas, he’s dead.